Stop drowning
in footage.
Start telling the story.
Eli reads your interviews. Watches your cut.
Defines the story so it hurts.
Not a chatbot. A filmmaking brain.
Both free to try. No credit card.
Analysis
Asaltamontes
10:10 · 6 scenes
41
Hook score
“This cancer wasn't that tough; the one that was tough was the one that came later.”
You're burying the hook. “I'm dying of sadness” — that line is your opening frame. Move it.
“Separating from the children was difficult.”
Hold on her face. Three seconds. Drop the music. Room tone only. Let the weight land.
“My mood was at rock bottom. I had no desire for anything at all.”
She already showed us with her voice. This line explains what we already felt. Cut it.
Humans
No timecodes · Vague · Sugarcoated
Slow · Never watched it · Bad taste
Generic AI
Worse taste · Can't read SRTs
Breaks timecodes · Summarizes, never decides
Eli
Feedback so good it hurts.
Not a score.
A re-edit.
Narrative Structure
Every note tied to a timecode. Every suggestion mapped to your story arc. Eli sees the structure. Where it peaks. Where it breaks.
See a full report →“I don't want to die without people knowing who I am.”
This is the thesis of the whole film. Protect this line at all costs.
“We went to the market and bought some vegetables and then...”
You're losing them here. 40 seconds of walking footage with no story. Cut to the arrival.
“”
Kill the music here. Let the street sounds carry the scene. The honking IS the tension.
Story Finder
40 hours of interviews.
Your story is in there.
Upload your SRT files or interview footage. Story Finder reads every word, scores every moment, and surfaces the quotes that actually carry your film. The belief shifts. The emotional peaks. The proof moments. With timecodes you can take straight to the edit.
Upload more interviews and it starts to see the story across characters — where perspectives clash, where themes connect, where your narrative lives.
Find my story →Your story, found
“I used to think I was making this film about the mountain. But it's about what the mountain took from him.”
“She keeps saying she's fine. But I was there. She wasn't fine.”
“I don't want to die without people knowing who I am.”
“Three surgeries. Two years of chemo. And then she ran a marathon.”
Three tools.
One brain.
Upload interviews. Analyze your cut. Then brainstorm with Eli — who actually watched everything.
Find your story
Upload interview transcripts. Story Finder scores every moment and shows you where your narrative lives.
Try it →Analyze your cut
Drop your rough cut. Get timecoded edit notes — what to cut, what to keep, where to let it breathe.
Try it →Talk to Eli
Disagree with a note? Push back. Ask why. Eli remembers every quote and every scene.
Try it →The backstory
I was making a TV show about Speedway for SVT. 18 people. All wearing lavs. 3 hours per shooting day. The transcripts alone were drowning me.
I spent 3 years building tools to fix that pain. Then I realized the same tools could watch an edit and give real notes. Then I trained them on 20 years of my own editing decisions — every cut, every quote I used, every sound choice.
That became Eli. And now Eli works for you.
Jonny von Wallstrom
Netflix, HBO, Arte, SVT
Export to your timeline
One click. Your notes become colored markers in Resolve, Premiere, or any editor.
What you're doing now
Reading 40 pages of transcript. Highlighting with a marker. Losing the timecodes. Pasting chunks into ChatGPT. Getting generic summaries back. Forgetting which interview had that one moment. Asking a friend to watch your cut. Waiting two weeks. Getting “it's good.”
What this does instead
Reads every interview. Scores every quote. Watches your whole cut. Gives you timecoded edit notes. And when you push back, it references the exact quote from the exact interview at the exact timecode. Because it actually read them.
Brainstorm with Eli.
Eli knows your interviews and your cut. Push back on notes. Ask why. “What about the quote Maria said at 00:14:22:01?” Eli remembers.
You
The opening feels flat. I don't know how to start this film.
Eli
Remember what Maria said at 00:14:22:01? “I used to think I was making this film about the mountain. But it's about what the mountain took from him.” That's your opening line. Not the landscape. Her voice.
You
But I have 3 minutes of landscape that cost me a drone day.
Eli
Use 8 seconds of the drone over her voice. The landscape is the feeling, not the hook. Your analysis shows the audience drops off at 00:00:18:01 — they're not waiting for a mountain. They're waiting for a reason to care.
Emotional intensity
Eli maps the emotional arc of your entire film. Where it peaks. Where it drops. Where you're losing them.
Pricing
Filmmaker
$27/mo
For working filmmakers
- 20 min max
- Unlimited analyses
- Unlimited Story Finder
- Full edit notes + export
- Brainstorm with Eli
Pro
$97/mo
Your filmmaking partner
- Unlimited length
- Unlimited analyses
- Unlimited Story Finder
- Full notes + export
- Brainstorm with Eli
- Eli remembers your project
Your film deserves better than reading transcripts at 2am
and feedback that arrives too late to matter.
Free. No credit card. Takes 2 minutes.